30 June 2007

El hombre sabe que hay en el alma tintes más desconcertantes, más innumerables y más anónimos que los colores de una selva otoñal....









This book first arose out of a passage in Borges, out of the laughter that shattered, as I read the passage, all the familiar landmarks of my thought - our thought, the thought that bears the stamp of our age and our geography - breaking up all the ordered surfaces and all the planes with which we are accustomed to tame the wild profusion of existing things, and continuing long afterwards to disturb and threaten with collapse our age-old distinction between the Same and the Other. This passage quotes a `certain Chinese encyclopedia' in which it is written that `animals are divided into: (a) belonging to the Emperor, (b) embalmed, (c) tame, (d) sucking pigs, (e) sirens, (f) fabulous, (g) stray dogs, (h) included in the present classification, (i) frenzied, (j) innumerable, (k) drawn with a very fine camelhair brush, (1) et cetera, (m) having just broken the water pitcher, (n) that from a long way off look like flies'. In the wonderment of this taxonomy, the thing we apprehend in one great leap, the thing that, by means of the fable, is demonstrated as the exotic charm of another system of thought, is the limitation of our own, the stark impossibility of thinking that.

27 June 2007

I bought me some Zen food to learn how to think, but I can't think of anything I'd more adore than to see you in the pink














I took the above photos while walking around Radford yesterday. These are all from the "light side" of the RU campus. I may post a series of "light side" (7-11) images over the next few days, and then post a few of the "dark side" (Deli-Mart) next week. The dichotomy--or continuum--of "light side" and "dark side" of RU interests me, particularly because they have similar housing, etc.

I initially decided to walk around and take photos because I had plans to do a "student housing" series of Radford. I was envisioning one or two plain apartment buildings, a simple house or two, apartments joined with old houses, etc. I suppose I had dismissed Radford as a source for photos, and I wasn't particularly excited with my "student housing" plan, but I'm relatively happy with some of the above images. The only thing that bothers me about them is that they aren't as technically "good" as I'd like them to be--the white balance seems to be off, the contrast is odd, etc.

As anyone who viewed the blog last night knows, I deleted several photos I had taken of CSI, the one with David Caruso. I kind of think they made for an interesting juxtaposition with the housing photos, but I really prefer the idea of presenting a sort of photographic tour of Radford. I took the CSI photos at a friend's house because it was intolerably boring to watch, but somehow interesting to photograph. I may repost the CSI stuff later--the absurd images from commercials heighten the weirdness of David Caruso's facial expressions.

25 June 2007

i'm standing on the brink of a bridge that's black at sunrise, i don't think i'll be home in time to dine








As I've mentioned in previous posts, photography is usually a solitary pursuit for me, and I don't often photograph people. Occasionally, though, I ask random people if I can photograph them. A few have refused, but for the most part people don't seem to mind; in fact, most people I ask to photograph end up opening up to me, telling stories about themselves. The people in the above photos were all interesting characters, and I ended up talking to each of them for at least 30 minutes. I would divulge some of their stories, but since I didn't ask them permission to print what they said, I think it would be the wrong thing to do.

I didn't realize it when I was taking the photo, but I just noticed that I cut off "Park in Back" on the second photo so that it reads "ark in back"--pretty cool accident. That shot was taken at an antique store in Cana, VA--the first and third shots were taken at Carpenter's Grocery in Patterson, VA; the fourth was taken at a gas station in Elkin, NC; the fifth was taken in Cana; and the sixth was taken at a tattoo/taxidermy shop in Jonesville, NC.

24 June 2007

life is a quarry, you can dig all you want to...














All of the above photos were taken in various parts of southwest Virginia. If I were going to do a book of "Appalachian images," I think I would include some of these. I'm bothered by books (writing or photography) that exploit negative stereotypes of Appalachia to create intrigue, but I'm often equally bothered by books that replace those negative stereotypes with overly positive, romanticized constructions of Appalachia. I often feel like a large slice of the Appalachia I grew up in, the kind of people I know, are being written out of existence because they aren't necessarily the face other Appalachians (or non-Appalachians with an interest in defining Appalachia) want to project.

I grew up in Grayson County, and I was probably one of the last people to live a life similar to how mountain people lived 100 years ago. I usually stayed with my grandmother; she got her water from a spring up the (dirt) road, had an outhouse, heated with a wood stove, checked her hens' nests and rabbit gums every morning, went looking for morels every spring, raised a garden and canned food, dipped snuff, and so on.

This is the kind of stuff that's sometimes romanticized, but our way of life wasn't easy or charming in its simplicity. We often traded food stamps for money to buy gas or scraped between cushions to have enough money to buy an RC cola. I recall buying 5 cent pieces of gum with a 1 dollar food stamp to get 95 cents in change. I'd do this at six or so stores until we had enough money to buy 5 dollars or so in gas. Also, many people in my family did drugs, hunted solely for the pleasure of killing, abused family members, etc. Many were depressed, lonely, fatalistic, and desperate. But then I've known others who always seemed content, no matter what the situation.

I'm not clearly articulating what I want to say here; basically, I'm trying to say that all of these things are Appalachia and none of them are Appalachia. I don't believe in a monolithic Appalachian culture, and I'm wary of those who claim to speak for everyone else in a region that comprises many different cultures, social classes, and even idiosyncrasies within particular families. I'd like to see a more fluid notion of Appalachia, one that acknowledges clapboard houses/$500 trailers and $200,000 cookie-cutter homes in the suburbs, blue-grass and what Chuck Klosterman calls "Wal-Mart country," cockfighting and quilting. Although its good for tourism, I'm not fond of the packaged version of Appalachia that's sold to outsiders (and, curiously, even those who grew up in Appalachia). Rather than preserving it or keeping it alive, it seems to me that turning Appalachia into a commodity depletes it.

Of course, my thoughts about this are always shifting; I don't like settling on anything too quickly, so if you have any thoughts send me a comment.

22 June 2007

she said, babe, you're just a wave, you're not the water











These photos were taken in and around Damascus/The Creeper Trail. I wanted to do a little photo-essay on the Creeper trail for my own amusement, but I need to go back and get more shots. The contrast is also off in a few of the photos.

21 June 2007

i want a bright life, with a nose for things, a fresh wind and bright sky to enjoy my suffering






Here are some photos I took along the riverwalk in Austin last month. The guitars are all over the city; each one has been signed by an area musician. I believe the green one was signed by Stevie Ray Vaughn, but I was most excited about one signed by Roky Erickson. Roky fits with Austin's motto, "Keep Austin Wierd," as well as any local musician.

During the mid 60's, he was the principle singer, songwriter, and guitar player for the 13th Floor Elevators, the first group to call their music "psychedelic."
In 69, he was arrested for possession of a single marijuana cigarette, and was subsequently committed to the Rusk State Mental Hospital for the Criminally Insane, where he was subjected to Thorazine, electroshock therapy, and other expiremental treatments.

After his release, Roky's mental health deteriorated, making it difficult for him to make music. He did release a few solo albums with odd lyrics about demons and UFO sightings over the next few decades, earning him a loyal cult following. Recently, he's made something of a comeback--touring and writing new material. In fact, he's going to perform in Austin on Friday, July 13th. Wish I could be there.