16 December 2007

So i'm down, and so i'm out, but so are many others.


paltry as it is, this will probably be my last post until January. I hope to drive around southeastern West Virginia for a few days in the next week or two and take some photos. anyway, here's Frank Sinatra singing "Cycles"--a nice antidote to sappy holiday tunes (Sinatra's among them).

13 December 2007

not today, not today, nor for the next 1000 lives



--a couple of shots from Boonville, NC

**************** and a fun song/video from devandra banhardt.

11 December 2007

down at the mill they got a new machine, formeman says it cuts manpower by fifteen.



I took advantage of the nice weather this afternoon and drove out for a couple hours to take photos. I ended up not taking many, but I did get the two above. The first one--with its red, yellow, and blue squares--brings Mondrian to mind. That's probably no accident, since the building looks to have been made in the 60's when the Art Deco/Bauhaus style was popular. While sitting here thinking about Mondrian, this James Tate poem popped into my head. There's not really much of a connection to Mondrian in the poem (other than it being about a painter), but the point it's making fits with photography, so I suppose it's at least tangentially connected. On more than one occasion I've had people question why I'm taking a photo of the corner of a building or a light socket or whatever. If an answer isn't immediately apparent, they sometimes get very distraught.

The Painter of the Night
-James Tate

Someone called in a report that she had
seen a man painting in the dark over by the
pond. A police car was dispatched to go in-
vestigate. The two officers with their big
flashlights walked all around the pond, but
found nothing suspicious. Hatcher was the
younger of the two, and he said to Johnson,
"What do you think he was painting?" Johnson
looked bemused and said, "The dark, stupid.
What else could he have been painting?" Hatcher,
a little hurt, said, "Frogs in the Dark, Lily-
pads in the Dark, Pond in the Dark. Just as
many things exist in the dark as they do in
the light." Johnson paused, exasperated. Then
Hatcher added, "I'd like to see them. Hell,
I might even buy one. Maybe there's more out
there than we know. We are the police, after-
all. We need to know."

Since the first photo brings Mondrian to mind, I thought about posting a video from the White Stripes' De Stijl or something from a more "abstract" band like Silver Apples, but while I was driving around today I was listening to early Rod Stewart (Sing it Again, Rod), so I've decided to go with him. Many people consider Stewart a joke along the lines of David Haselhoff or Celine Dion. If all they've listened to is "Do You Think I'm Sexy," I wouldn't necessarily blame them, but back in the late 60's/early 70's Stewart made some great music. As a solo artist and as part of The Faces, he managed to combine blues, rock, country, and folk in an organic way that many musicians strived for, but few achieved. This song, "I've Been Drinking (A Change is Gonna Come)," appears on the 1967 Jeff Beck Group album, Truth. Ignore the silver tight pants and preening poses (if you can), and give it a listen.

09 December 2007

Funny, funny...you're so funny, it's making me cry.


I noticed this old Thunderbird on my drive back from Roanoke today. Unfortunately, it was cloudy and I don't have a great lens (and I rarely use a tripod, so this is shot with a shallow depth of field). Anyway, the resulting image is a little soft and flat. There also appear to be a few specks of dust in the camera. So it goes.

--Kevin Coyne performing "House on the Hill" live at the BBC studios in 1973. "House on the Hill" is from his second solo album, Marjory Razorblade.

06 December 2007

I pity the poor immigrant, who wishes he would've stayed home


I found this video on youtube a little while ago, and it made me happy so I thought I'd post it. It's a great version of this song, and Dylan and Baez look like they're having fun performing it. Plus, Joan Baez is beautiful; her smile is contagious.

02 December 2007

When you've been whipped by the forces that are inside you, you've got to come on up to the house



I'm kind of a cave man when it comes to technology, which is why the line breaks are screwed up in this Robinson Jeffers poem. The original line breaks parallel the content of the poem, creating a sense (while reading) of scurrying down an uneven trail. It's a poem I've loved since reading it during my first year of college 10 years ago.

The Deer Lay Down Their Bones
--Robinson Jeffers

I followed the narrow cliffside trail
half way up the mountain
Above the deep river-canyon.
There was a little cataract crossed the path,
flinging itself
Over tree roots and rocks, shaking the jeweled fern-fronds,
bright bubbling water
Pure from the mountain, but a bad smell came up.
Wondering at it I clambered
down the steep stream some forty feet,
and found in the midst of bush-oak
and laurel, hung like a bird's nest
on the precipice brink a small hidden clearing,
Grass and a shallow pool. But all about there were bones
lying in the grass,
clean bones and stinking bones, antlers and bones:
I understood that the place was a refuge
for wounded deer; there are so many
hurt ones escape the hunters and limp away to lie hidden;
here they have water
for the awful thirst
and peace to die in; dense green laurel and grim cliff

Make sanctuary, and a sweet wind blows upward
from the deep gorge.--I wish
my bones were with theirs.
but that's a foolish thing to confess,
and a little cowardly. We know that life
is on the whole quite equally good
and bad, mostly gray neutral, and can be endured
to the dim end, no matter what magic of grass,
water and precipice,
and pain of wounds,
makes death look dear. We have been given life
and have used it--not a great gift perhaps—
but in honesty should use it all. Mine's empty
since my love died--Empty? The flame-
haired grandchild with great blue eyes
That look like hers?--What can I do for the child?
I gaze at her and wonder what sort of man
In the fall of the world . . . I am growing old,
that is the trouble. My children and little grandchildren
will find their way, and why should I wait ten years
yet, having lived sixty- seven, ten years more or less,
before I crawl out on a ledge of rock and die snapping,
like a wolf who has lost his mate?--I am bound
by my own thirty-year-old decision: who drinks the wine
should take the dregs; even in the bitter lees
and sediment new discovery may lie. The deer
in that beautiful place lay down their bones:
I must wear mine.

Let us wallow, let us play, this is our god's day

East Bend, North Carolina

Looking for Work
--Raymond Carver

I've always wanted brook trout
for breakfast.

Suddenly, I find a new path
to the waterfall.

I begin to hurry.
Wake up,

my wife says,
you're dreaming.

But when I try to rise,
the house tilts.

Who's dreaming?
It's noon, she says.

My new shoes wait by the door.
They are gleaming.

Palace Music (Will Oldham), Old Jerusalem

01 December 2007

They went La, La, La, La, La, La...La, La, La, La, La, La


Harmon's (Boot Capital of Virginia), Hillsville, VA


The Heaven of Animals
--James Dickey

Here they are. The soft eyes open.
If they have lived in a wood
It is a wood.
If they have lived on plains it is grass rolling
Under their feet forever.

Having no souls, they have come,
Anyway, beyond their knowing.
Their instincts wholly bloom
And they rise.
The soft eyes open.

To match them, the landscape flowers,
Outdoing, desperately
Outdoing what is required:
The richest wood,
The deepest field.

For some of these, it could not be the place
It is, without blood.
These hunt, as they have done,
But with claws and teeth grown perfect,

More deadly than they can believe.
They stalk more silently,
And crouch on the limbs of trees,
And their descent
Upon the bright backs of their prey

May take years
In a sovereign floating of joy.
And those that are hunted
Know this as their life,
Their reward: to walk

Under such trees in full knowledge
Of what is in glory above them,
And to feel no fear,
But acceptance, compliance.
Fulfilling themselves without pain

At the cycle's center,
They tremble, they walk
Under the tree,
They fall, they are torn,
They rise, they walk again.